 Aimee C. Eisaman |
Phello Photogs- Week 1 Michael
|
||||||||||
|
|
|||||||||||
|
Vicki Snow |
|
||||||||||
|
|
|||||||||||
|
Debbie E. Payne |
|
||||||||||
|
|
|||||||||||
- Ellen H. Robertson Contact Ellen H. Robertson Ellen H. Robertson's Gallery |
You all were right This is fun.
|
||||||||||
|
|
|||||||||||
|
Aimee C. Eisaman |
|
||||||||||
|
|
|||||||||||
|
Christie R. Bielss |
Well, I'm not sure I remember what all I've done to this but I'll give it a go. I cloned out the hooks/lines from the cranes, the barbed wire fencing, and replaced all of the construction fencing and materials by cloning in the grassy areas from the left side of the image. I cloned out some construction debris from around the stones in the front center of the image as well. I increased the saturation and adjusted the hues for the blue sky, I overlayed a high-pass filter on a layer, used a color burn, did a lot of noise reduction-several times, used the Distort-Glow filter, and can't remember what else. I almost cropped, but decided I liked the feel of all the ruins sliding down the hillside - so kept the full image as is. I think I merged the layers and then reduced the image size to save as a .tiff. And that's all this tired, old brain can remember.
|
||||||||||
|
|
|||||||||||
|
Dale Hardin |
The hardest part for me was selecting which version to post because there are so many images here. But in the end I decided to post one that simply enhanced the overall shot but left your original vision intact. this was my procedure: 1. Adjusted each color level separately. this resulted in a better image due to slight over saturation of the flowers.
|
||||||||||
|
|
|||||||||||
|
Esther R. Tinz |
Wanted to be different - so I did the ole' horizontal flip and then cropped and cloned. Duplicated the image and applied the poster edges. Blended with soft light blend at 50% and reduced the noise.
|
||||||||||
|
|
|||||||||||
|
Jeanine M. Bailey |
|
||||||||||
|
|
|||||||||||
|
Anthony L. Mancuso |
Blended using multiply at 65% and erased over dark areas.. Cloned out modern era stuff..cloned in some bushes here and there Adjusted overall satruation, slight levels adjustment..replaced sky and cropped..threw on the ol' high pass with overlay at 1.0 pixels
|
||||||||||
|
|
|||||||||||
|
Debbra Bailey |
Hmm - I played a lot, started to take notes, then forgot! lol I cloned out a ton of things, and cloned IN some things, sharpened with high pass, used the multiplier filter, reduced noise, cropped, played with contrast and saturations, and finally went BW with B's Vanilla Filter!
|
||||||||||
|
|
|||||||||||
- Michael Kelly Contact Michael Kelly Michael Kelly's Gallery |
Procedure: Levels 0 83 233 Masked ground and clouds and applied #82 filter to sky Cloned forever High Pass 2.6 pix hard light at 50% Applied curves linear contrast preset reduced vibrancy 10% Applied noise reduction Applied Ink Outlines filter stroke length 4 Thanks to all of you for your great interpretations and for the kind words and messages about the picked shot.
|
||||||||||
|
|
|||||||||||
|
Dale Hardin |
Michael thanks for such a great image for this exercise. I love what you've done and I'm glad you left the original composition. Especially like your work with the details. The extra texture in the foreground large pillar is superb. I use the high pass a lot but have not tried it with the hard light. Also like the use of ink outlines filter stroke (similar to 'find edges' filter is use quite often) the idea of the selected color filter to the sky is a very good inovation. In general is is very enlightening for all of us that are trying to learn new ways of expressing ourselves, to enjoy the step by step processes involved. Thank you for sharing.
|
||||||||||
|
|
|||||||||||
|
Sharon Lohrmann |
i didn't get a chance to join this week's fun. but I wanted to comment and tell you all what a great job you did. mike, you picked a great image for this challenge and everyone did such a super job with their versions. I really enjoyed getting a chance to see them all. as dale said above, it really gives you the opportunity to think about the image from a lot of different perspectives.
|
||||||||||
|
|
|||||||||||
|
- Michael Kelly Contact Michael Kelly Michael Kelly's Gallery |
Thanks Dale and thank you for coming up with this as a club exercise and Aimee for running with it. I actually think it is more fun for the picked person than for all of the rest of you struggling to come up with something. It is so interesting to see the various ways a shot you took and know well can be presented. A real eye opener. Thank you Sharon for the thoughts and comments. I know that life sometimes gets in the way of our hobbies, but you will get plenty of chances as we go through this fun and I think educational project.
|
||||||||||
|
|
|||||||||||
|
Aimee C. Eisaman |
This just goes to show that we all see things so differently as individuals! And this is why I think photography is so much fun! A wonderful first round of WWYD "What Would You Do?"! Thanks so much Michael for being the first! And Sharon...don't feel bad I'm gonna miss the next three weeks :~(
|
||||||||||
|
|
|||||||||||
|
Jodi M. Walsh |
so that's my story. :-) for this- i cropped
|
||||||||||
|
|
|||||||||||
|
Dale Hardin |
I like it Jodi. A different crop from what we saw from the rest. The composition is well balanced and interesting with an excellent main subject. Also like your restrained filter adjustment.
|
||||||||||
|
|
|||||||||||
- Susan M. Reynolds Contact Susan M. Reynolds Susan M. Reynolds's Gallery |
Can I still become a part of this project? How do I join the email list? This looks like fun and a great way to learn Photoshop better... ~Susan~
|
||||||||||
|
|
|||||||||||
| Log in to respond or ask your own question. | |||||||||||
