Kristy |
Photographing a White Dog in Snow Hi, I have to photograph a white Akita in the snow on Tuesday. Should I white balance off the dog or the snow? Also how should I meter, should I open up a bit if I meter off the dog so she doesn't look dirty? Thanks in advance!
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W. |
Hi Kristy, I would shoot RAW(+JPG) and bracket, so that I 1) can adjust WB in PP, after the fact, and 2) have a range of exposures to choose from/work with. I would also try a few exposures with fill-flash. They might surprise you. Don't skimp on the number of exposures you take. The more the better (for choice). Alan and John may possibly be along next with some more useful advice. Have fun!
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Alan N. Marcus |
Hi Kristy, All modern cameras sport some form of built-in-metering. Improvements in miniature light-measuring components and their associated chip logic and software have almost, but not quite rendered obsolete the hand held light meter. When using a hand meter one simply points and receives a general reading that is only satisfactory if the scene integrates to middle gray. Years ago Kodak research labs concluded that most scenes if optically scrambled amalgamate to a single tone approximately 18% gray (battleship gray). Their early recommendation; “place a yellow Kodak paper packaging envelope in the scene illumined as the principal subject and take a close-up light meter reading, set your camera as indicated”. It worked! The logic was, this box reflected about 18% of the ambient light impinged upon it. In the 1940’s the famous landscape photographer Ansel Adams and his colleague Fred Acher (editor US Camera) refined this procedure using a placards with 18% gray surface. The gray card method became what I call a “self-eating watermelon” because film makers adopted this tone as an aim point. Scientifically the tone 18% gray is most often written as 0.75 Red – 0.75 Green – 0.75 Blue (the values of such a tone as read using a modern film/paper measuring instrument known as a densitometer). This reference tone is universally used by every photofinishing lab in the world as a standard (often bumped up to .80R .80G .80B as a reference aim point for the color print the added .05 density making the production output slightly darker. Additionally this tone is a calibration standard for nearly all light measuring systems photographic and scientific. Thus you too can use a gray card. Taking a reading from a gray card placard held next to the white dog on white snow is a valid technique. Many hand meters have an incident mode whereby a white diffusion dome covers the meter cell. In this mode the meter is pointed backwards (from the subject back at the camera). This reading known as an incident reading simulates a reflected reading from a gray card. The incident method is a favorite in Hollywood for motion picture exposure determination as exposure error is quite costly. Alan Marcus, Anaheim, CA (marginal technical baloney)
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W. |
Thanks, Alan. I counted on you coming through, and you did.
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Alan N. Marcus |
Thanks W. S. for the good will. Postscript: A valid technique is to reflection read your own palm. Fair human skin is more reflective than a gray card by 1 f/stop. Thus a fair complexion reading requires a minus one f/stop adjustment (open up one f/stop). Medium complexion, no correction required, lucky you, you have your own personal gray card. Dark complexion, plus one f/stop does the trick. Alan Marcus (more trivia)
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W. |
And, oh yeah, Kristy, a couple more points I forgot earlier: iso 100 or 200: you'll possibly have plenty light, so take advantage of that to convert it into image quality, low noise. Av aperture priority: set according to the DoF (Depth of Field) you want. Working from tripod always markedly improves image quality. I would spotmeter off the dog, and adjust +1 for it being white(ish). Bracketing will save your bacon. Good luck tomorrow!
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Kristy |
Thank you everyone for your advice! I do have a gray card so I started with that reading, but it was early morning and kept getting brighter. Then the sun came out so I had to start relying on the camera meter of the scene and just opened up a bit from there. Unknown to me, there ended up being another dog involved as well that was pretty much all black. I am very very happy with these photos though overall and will upload some when I get the chance. The white dog was finicky about the flash, squinting before I even fired so I varied it up with her, some with and some without. Thanks once again! Kristy
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