Holly K. Leahy |
getting correct exposure I have an assignment ot take 2 rolls of correctly exposed film choosing a place and then taking about 4 pics from different angles of 6 different things. anyway, the cmera I am using, minolta x370, has the red lights along the side to meter. I have a grey card but I am having alot of problems holding camera, holding grey card, and trying to change aperature all at the same time. old cameras are heavy and my finger just cant reach over really well to change the aperature ring. is there some sort of trick to this that I don't know about?
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Jon Close |
Put...the gray card...down... right next to your intended subject. It has to be in the same light as your subject. Point your camera at the graycard, fill the viewfinder with the graycard, but do not block any of the light falling on it. You then manipulate the shutter speed and aperture to get the proper exposure indicated by the camera's meter. Then frame your subject and shoot.
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Alan N. Marcus |
Hi Holly, Don't read anything above "No need to hold the Gray Card" Just skip the first part. The standard used to calibrate exposure meters and film speed is the “Gray Card”. This simple cardboard tool was carefully constructed. It has a surface that reflects away 18% of white light that falls (incident) on it. Stated another way; shine 100 units of light on a gray card, 18 light units will be reflected away and 82 units will be absorbed by the card. Math too complicated to broach here describes the Gray Card as surface having an optical reflective density of 0.75. How could it be that this simple device server as a standard for photographic exposure? Historically, two photo engineers Hurter and Driffield spent most of their careers putting this together for us. They studied how films react to light and subsequent development. These pioneers established the methods used today for determining film speed and proper exposure for film and print, black & white and color and yes, even digital systems. Their theory forms the basis what we call the Law of Reciprocity and the Ansel Adams zone system. Light meters, projection printer meters are calibrated using the 18% target as are most other devices used in photo instrumentation. No need to hold the Gray Card: Without instrumentation, you can check your work. Using a hole punch, make a circular hole in middle of the image of the Gray Card on your print. Overlay your print on the actual Gray Card. The real Gray Card shade is now seen through the hole. Only if the exposure and processing is correct will the real Gray Card be a close match to you photograph of a Gray Card. Best of luck Alan Marcus
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