Ben F |
Landscape DOF Hi all, Just been browsing through the Q&A trying to understand depth of field and hyperfocal point etc etc etc. The reason for this im soon buying a manual focus camera with 45mm and 90mm lenses purely for landscape work. I came across this ; "In landscape photographs we generally expect extensive DOF, with sharp focus from the foreground to the background. To achieve this effect, select a wide-angle lens, set a small aperture (perhaps f/11 or higher), and focus about 1/3 of the way into the scene before reframing and shooting." Okay, I get the setting of smaller aperture, f11 and up, but I dont understand the focusing 1/3 of the way into the scene??? I know these questions have been asked a million times but im really struggling, can anyone try sort it out for me?.. thanks heaps :PPP
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Kerry L. Walker |
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doug Nelson |
See if this article makes sense to you. Be glad you have DOF scales. http://www.dougnelsonphoto.com/-/dougnelsonphoto/article.php?ID=27 Generally, remember that small apertures give more DOF. I went through a period when I had to shoot everything at f16. I didn't know that most lenses are not at their sharpest at f16, and that, with maybe a 28, most everything is sharp at f8 (from about 5 or 6 feet on out). Also, with that 45, you can do some beautiful work by being sure the flower in the foreground is in sharp focus, and blurring out the mountains in the background. I guess I'm saying not to get carried away with the "everything in focus" trick, as I did.
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Kerry L. Walker |
Ben, you have gotten some excellent advice from an excellent (but modest) photographer. Although there are times, and scenes, when you do want everything in focus, there are times, as Doug stated, where you want to blur either the foreground or the background. Sometimes you just have to shoot it both ways and see which you like the best.
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Ben F |
Thanks kerry and doug for your replies, and your article doug is very helpful. I think im starting to understand it. However I have another question.. What gets me is this..say for 45mm lens. after you have composed the image in the viewfinder, you then set the desired apperture on the lens. for example it is a late afternoon shot and I want to shoot at say f8 or f11. So I align f11 under the focus index, then move the infinity symbol on the distance scale to align with the corresponding aperture which im shooting at(f11). I should then be left with a hyperfocal distance for f11. Lets hypothetically say is 15 feet. Sorry about the long post, I tried my hardest to explain. Thanks!!!
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Andy |
In your exmaple, everything from 7.5 feet to infinity is in ACCEPTABLE SHARPNESS. There is still only one focus point, at 15 ft.
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Kerry L. Walker |
I don't want to get too technical here but I want to explain something first. You are correct about the way you set for hyperfocal distance. Please understand, however, that there is actually only one plane of true focus. That is at the distance you are actually focused (15 ft. in this example). Everything else is in what is called acceptable focus. It all appears in focus to the human eye viewed from a normal viewing distance. Viewed under a 10X loupe, you could see the difference but don't worry. It will look great to the eye. Now, to answer your question. Compose your photo first then go through the process you have described.
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Kerry L. Walker |
Andy, you were typing at the same time I was.
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Andy |
Sorry Kerry, I got in your way ;)
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Kerry L. Walker |
I just ramble too much. LOL
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doug Nelson |
I don't know of too many manual focus 45mm lenses. Sounds like a Contax SLR to me (Minolta?). On an SLR there should be a depth-of-field preview feature that closes the lens down to your shooting aperture. You can then readily see about what's in focus. You said manual focus, so I assume we're not talking about a Contax G1 or G2. On a rangefiner camera, you won't see this because you're not looking through the lens. I sometimes just set the focus using this "hyperfocal" method and use the finder just for framing.
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Kerry L. Walker |
Could be the Nikon 45mm. They have used a 45mm for the standard lens on some of their MF cameras. They still offer a 45mm f/2.8.
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Ben F |
Nah, its on the hassy xpan 2 not sure who makes the lens but it comes standard with the camera :P thanks for your help people
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Kerry L. Walker |
Lens is made by Fuji.
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doug Nelson |
This Hassy looks like a rangefinder camera to me. I think it'd have to be a rangefinder because of the optional panorama feature. There can be no DOF preview on an RF, 'cause ya ain't lookin' thru da lens. This camera has a wonderful reputation for landscapes. Doesn't matter, the DOF trick we've been discussing works, because of the laws of optics and apertures, but you just won't be able to preview it.
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Olivia Navarro |
Can someone explain this to me for my Canon 85mm 1.8 lens? I just tried it as Ben described above. Set my aperture to f/8, then moved the focusing ring so that the infinity symbol lines up with the only other markings on my lens which is 22. The picture was completely blurry. I guess I just don't understand how to set the hyperfocal distance and I don't understand the charts either. What are the near and far amounts? I'm utterly confused. Thanks for any help!
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Kerry L. Walker |
If your lens has only one mark, at f/22, the only easy way to set the hyperfocal distance is to shoot at f/22. The infinity mark has to be set at the aperature you are using. Unfortunately, no all lenses have a full set of marks.
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Christopher A. Vedros |
Olivia, if you line up the infinity symbol with the f22 mark, you need to set your aperture at f22. If the lens had a DOF mark for f8, you could use f8 and set the infinity symbol there.
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Olivia Navarro |
Ok, thanks, that makes sense. Too bad none of my other lenses have this capability it seems. But now some other questions. I keep reading that the picture will "look blurry" in the viewfinder. Well, when I tried it this morning, not only did it LOOK blurry, it WAS blurry. But if I try to focus it, then the infinity mark isn't on the 22 anymore.
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Olivia Navarro |
Also, I came across some DOF scales that someone on BP posted in his gallery but I forgot to bookmark them. Anyone have the link to his gallery? I forget his name.
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Kerry L. Walker |
Yes, the picture will look blurry in the viewfinder because you are seeing what it would look like at maximum aperature. If you hold in the DOF preview button, your lens will close down to the aperature you have set (f/22). Everything will appear dark but in focus. Mainly, just trust the scale on your lens. Everything from the nearest number to infinity will be in acceptable focus. Can't help you with the link for the DOF scales.
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Olivia Navarro |
Kerry, thanks for your continued help. What I was saying was that not only did the picture appear blurry in the viewfinder, the shot that came up on my screen after taking the shot was obviously out of focus. I think I really need to find those DOF charts. :-) Maybe it was the distance that was my problem. The 85 is a bit short for inside shots.
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Christopher A. Vedros |
If you took the picture at f8 like you said above, then yes, the picture would be blurry. The 85mm f1.8 is a great lens, but if you're trying to shoot a landscape with maximized DOF, you would be much better off with a shorter lens. A 28mm lens will have much more DOF than the 85. The 85 does a great job of blurring the background in shallow DOF portraits and closeups.
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Olivia Navarro |
Well, I took the shot at f/22 but when I went outside and started trying it, the technique seemed to get better though none of the shots were perfectly sharp. The lens that I would prefer to use for landscapes is my kit lens however, there are no markings on it to determine the hyperfocal distance. Then I have the 50mm 1.8 and the Sigma 55-200. I do love my 85 for portraits and since that is primarily what I do, it's a wonderful lens for me. But I would love to capture some great landscape shots and so I'd really like to get a handle on this.
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Kerry L. Walker |
Olivia, your 85 is indead a great lens for portraits. I use a 150mm on my Pentax 645N, which is equivalent to a 90mm in 35mm format. However, as Chris said, you need to use a shorter lens, like a 28mm, for landscape shots. An 85mm is not going to give you a lot of DOF. It certainly won't give you accepatable focus from 1.5 ft. to infinity. Wide angle lenses will give you a lot more DOF when shot at hyperfocal distance.
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Christopher A. Vedros |
I don't think the 50mm f1.8 lens has a distance scale on it either, right? Out of all your choices, I think the kit lens would be best for landscapes. Even if you just manually focus to infinity, at 18mm and f22 you will get much more DOF than with any of your other lenses. You can try manually backing off of infinity a little to estimate where the f22 mark would be if it were there. Then see how that affects the focus of near objects while still keeping far objects in focus. Let's call this method "Hyperfocal Fudging". ;-)
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