Connie J. Bagot |
What is the proper way to deal with eye highlight
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Connie J. Bagot |
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Connie J. Bagot |
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Connie J. Bagot |
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Brendan Knell |
I think it looks fine with it. But try and clone it out and then upload it.
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Connie J. Bagot |
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Brendan Knell |
Connie, I think it looks fine with it and without it. It's a REALLY great photo either way. So it all comes down to what one do you like the best. But it really is just a small detail, so I don't think it's going to hurt the photo either way.
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- Bob Cournoyer Contact Bob Cournoyer Bob Cournoyer's Gallery |
I, personally, like the one without the speck of light. Just the reflection of the background house or whatever in the eye. The light speck seems to be at an odd angle compared to the rest of the image.... Just my thot. Bob
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Connie J. Bagot |
Thanks Brendan and Robert. I get obsessive about the small things sometimes. I don't know if its this way for others of you or if its just me but sometimes just uploading a photo causes me to look at it differently---trying to see it as others will maybe. I think I will clone it out. Thank you Brendan for your really nice comment on the photo---made my weekend.
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John P. Sandstedt |
I saw only one bird pic in your gallery; it had a white dot on the bird's head. Presuming it's at the eye, it's called a catchlight and is very important in any picture. It's so important, in fact, that a friend [who is recognized as one of best printers in the state] will add them if they're not present. In slides, for example, he'll prick the transparency with a pin - then, the projection bulb will shine through the slide as the catchlight. On a B&W print, he'll add them with white ink. I've attended several competitions in which the judge, in critiquing a shot, gave images a lower score when there were no catchlights. I've always understood catchlights in human portraits but, for animals, it has be a stetch for me. Nonetheless,I really recommend that you leave the catchlights in your pictures.
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Kay Beausoleil |
What John said. The catchlight makes an animal or a human look alive. When photographing captive animals, I use a fill flash to be sure there's one there. Of course, you can always add one with PS later.
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Brendan Knell |
John, The photo you saw in Connie's gallery, was it "Just like Dad"? Because that isn't the one she asked the question about. It was a photo of a bird with some nuts in its' mouth.
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John Rhodes |
Connie, try as I might, I cannot find the photo you refer to. Could it have been removed from your gallery? VR John
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Connie J. Bagot |
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Brendan Knell |
Can someone tell me how to add the catchlight in photoshop? I have Elements 3. I was thinking that it was lens flare, but thats not it. Thanks.
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Brendan Knell |
P.S. Connie don't delete them, they are like I said before really good photos. And you don't have to feel foolish about asking the question.
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John P. Sandstedt |
Use the clone tool. I usually find a very bright or white patch in the photo and clone a small spot on the eye[s.] If there's no white [bright spot] in the particular picture, I'll copy a spot from another shot. You'll need to experiment to be sure that the brush and its size are appropropriate to the subject.
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Kay Beausoleil |
Sizing and shaping the catchlight was tricky for me. So I took pictures with the spot already there, zoomed them to 300%, and studied how the spot was composed. Then I noticed that positioning the spot has to make sense in relation to the light in the picture. All this is second nature now -- it became much easier with practice.
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Connie J. Bagot |
Does the reflection at the top of the jay's eye qualify as a catch light or does there need to be a white "spot?" Since my white spot here is tiny and in an odd position, would it maybe be best if I cloned it out and then added a bigger catchlight?
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Brendan Knell |
Thanks John and Kay, I'll try that.
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John P. Sandstedt |
The white spot is, obviously, small but - if that's what is was, then that's what is was - so far as location in the eye and size. It's reality; it's correct. It can be enlarged if you so choose. Try it [enlarging it] and see which seems better to you. I like it just as it is. The image without the catchlight will be a loser in competition. This version confirms what I tried to convey in the thread. The point is that catchlights are real in nature - in portraits created in the studio, in the great outdoors, etc. So, don't try to remove them; rather, if you're so inclined, improve them.
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