LC K |
How to Photograph at Night I was playing around taking some night shots... I wanted to get more of the full moon in the shot but it, of course, just looks like a bright white light. Is there a way (filters to use?) that will help capture the actual moon?
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robert G. Fately |
Linda, what you are experiencing is the reality of dynamic range limitation - which exists in film as well as digital cameras. That is, there is a limit to how different the brightest and darkest portions of a single image can be and still get recorded. The moon is much much brighter than the surroundings at night - even when to your eyes the full moon seems to illuminate everything so well. This means that if you expose the moon properly, you will greatly underexpose the night scene (to the point of black silhouette). Or, if you expose the scenery properly, the lens/shutter will need to stay open long enough that the moon itself is highly overexposed (to the point of being all white, or completely "blown out"). A filter over the entire lens won't help, as it will cut light of the entire view. If you could put a neutral density filter only over that portion of the image where the moon is, then you might have something (as well as solved a technologically impossible problem!) But an alternative could be to take two separate shots and overlay them. Of course, to do this you'll need to use a tripod. Take one image exposed properly for the ground - let's say that's 16 seconds. Without moving the camera, take a second shot where just the moon gets proper exposure (perhaps 1/60th second). Then, with the computer, you can overlay on image on the other, and "erase" the portions of the upper image to display what's beneath it.
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LC K |
That makes perfect sense - I'll have to experiment with separate shots and the computer. Thank you SO much!
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robert G. Fately |
Sure - that's what we're all here for! Good luck, and have fun.
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Margie Hurwich |
Linda, there is a member here named Wayne Fisk who captures all the details of the moon. However, saying that, it is very rare that he captures the moon along with any foreground. You can find him at: http://www.betterphoto.com/gallery/gallery.php?memberID=121425 Good luck!
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- Dennis Flanagan Contact Dennis Flanagan Dennis Flanagan's Gallery |
I have a full disc moon shot that I took with a 1000mm lens. I will gladly share it with anyone who would like it.
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David Cook |
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Scott L. Burnett |
do you know the sunny f/16 rule? it states (its not really a rule like every other rule in photography....) in an open full sun scene if you set your exposure to f/16 and the reciprical of your iso I.E.400 iso, 1/400 sec shutter speed. you should be properly exposed this is a good rule for when you are around sand snow or other meter fooling situations. the moon gets its light from.... you guessed directly from the sun, so does the sunny f/16 rule work with the moon, you betcha! and go with bobs tripod and multiple exposure idea. I think there is an article here somewhere about it. keep shooting, Scott
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David S. Nadal |
Since we're speaking of rules that aren't really, one of my instructors told me that, as a counterpoint to the Sunny f/16 rule, there is also an Loony f/11 rule for shooting the moon. I haven't had a chance to try it, but he was right about a lot of other stuff!
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Roy Blinston |
My answer is to photograph the moon (on it's own, ignore the surroundings) then etch it and save it in a "layered Photoshop file - PSD". You can then use your best moon shot over and over again just by adding it to all your future shots, as an overlay - with the added advantage of being able to place it wherever you want. I have a mini library of moon shots. Is this cheating? Who cares? It works!!! Is adding filters and other photo tricks also cheating? Who cares? The result is in the pudding.
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Elsie van Rooyen |
I have found that it sometimes help to zoom in on the moon. My camera is a Fujifinepix S5500 Elsie from South Africa
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Dennis Creaghan |
Dennis
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John Pickard |
If you're still shooting with film, you can make an in camera double exposure combining the moon with your subject. The trick is to shoot your main scene when the moon is out of your viewfinder and take your scene using enough exposure to illuminate the details you want. Re cock the shutter if you camera allows (without letting the film move)and then take another picture including the moon where you want it placed. You have to remember where in the frame you left a spot to place the moon. With this process you could put on your longest lens to make the moon larger in your finished image. Of course, a tripod is essential for both images. John Pickard
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- Gregory LaGrange Contact Gregory LaGrange Gregory LaGrange's Gallery |
"...I also have trouble taking pictures of the moon, but on September 8th of this year, I actually managed to capture the big cheesy moon exactly as it looked. I zoomed in and used my flash..." Can't help but laugh at that.
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Elsie van Rooyen |
I have the photos on my computer, Gregory, tried to upload it last night, but uploading was very slow. If you like, I can send it to your personal e-mail. Incidentally, I do take very nice night shots using my flash or rather, the camera's flash, and have other good moon photos, but not as good as the ones I mentioned last night.
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Elsie van Rooyen |
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- Gregory LaGrange Contact Gregory LaGrange Gregory LaGrange's Gallery |
Lighting the moon with the flash, that was the funny part.
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dennis w. mcclain |
a full moon is very flat with little contrast. to get really dramatic shots, try shooting a half moon. focus on the terminator( the part were light meets dark. the shadows from the sun striking it edge on give more relief to the picture. thats just my $0.02
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- Gregory LaGrange Contact Gregory LaGrange Gregory LaGrange's Gallery |
It's got contrast. Just that if you don't spend the money for something that's good and will reach it, you're going to be using a low quality one that's not going to give good contrast.
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