The weekly newsletter on the art of photography from
 
Monday, November 21, 2011
IN THIS ISSUE
Featured Gallery
Welcome Note
This Week's Tip
Updates From BetterPhoto
Q&A 1: Gallery Wrap, Can...
Q&A 1: Portrait lights...


TESTIMONIAL OF THE WEEK
"I can't begin to say how much I learned in this class! I am no longer intimidated by photographic lighting. John Siskin's lessons did a great job giving us a lot of knowledge about lighting, and lighting equipment. He also sent our several mid-week emails with bonus info. ... I see light differently now, and can use that to my advantage in all areas of my photography." -Steve Miller, student in An Introduction to Photographic Lighting


DECEMBER COURSES NOW POSTED!

NEW BOOK NOW PUBLISHED!

GET YOUR OWN WEBSITE!


THIS WEEK'S TIP
Are You Shooting Too Quickly?
By Peter K. Burian
Because there's no need to pay for film and processing, we all take far more pictures. That's great when we really "work" a subject, exploring it from various viewpoints and perspectives. But it can also produce a shotgun approach where we simply blast away whenever something vaguely interesting appears.
Shooting too quickly - without taking the time to make a serious creative effort - leads to snapshots without attention to composition and other details. Peter K. Burian


   
Featured Gallery
full fall spectrum
© - Nita and Wales Madden III

Welcome to the 552nd issue of SnapShot!
Hello,

A very happy Thanksgiving to all BetterPhoto members who celebrate this inspirational holiday! ... Meetup Roundup: Thanks to all who helped make our very first Worldwide BetterPhoto Meetup Day a success. If you weren't able to participate, there will definitely be other gatherings in the future. This is just the beginning. And, good news: Next time, you'll have more advance notice to plan! ... Photo Tips: In this issue of SnapShot, don't miss: "Are You Shooting Too Quickly?" and "Wide-Angle Lens for Creative Compositions". ... December school: The next session of 4-week online photography courses has now been posted. Check out the exciting schedule... ... That's it for now. Have fun with your photography!      Kerry Drager  Newsletter Editor

Jim Miotke
Where Is Jim?

Updates From BetterPhoto

http://team.betterphoto.com/2011/11/wide-angle-lens-for-creative-close-up-composition.html Here's another "take" on the subject of wide-angle perspective, close-ups and great depth. There are a ton of reasons to take a BetterPhoto online photography course, and we list 10 of them.

Photo Q&A

1: Gallery Wrap, Canvas Wrap, Dry Mount...
So many options... What are the differences between all the varied options in presenting larger scale images (11x17 and larger) in a small shop or venue? Which are more "pleasing" to the general public's eye? "Fad" vs tasteful? "Take home and hang" vs. prints? The customer has to frame?
Gallery wrap, dry mount, canvas wrap, Gator board, laminate, aluminum, foam core behind glass, canvas board, standout mounting, thin mount, floating ... you get the jist.
Thank you once again,
Liz
- Elizabeth Swain
ANSWER 1:
I'd say there's no one single answer, given that huge list of presentation options. If you're preparing prints with the hope of selling some of them (i.e., you don't have set customers already expecting to buy something specific from you), then I probably wouldn't risk the more expensive options until you know your customer base.
If you're stocking up prints for a single show, you should perhaps check with the show coordinators for input as well...
If this is to stock up your own supply of "potential sales stock" for use/display at recurring art shows/etc., you should probably familiarize yourself with each of those options - see how they affect your images, which images are suited to which options (i.e., a canvas option might work for an image, but the aluminum print would look terrible). And then perhaps if you wanted to go so far, have a sample of each for display, and offer custom orders as needed.
I don't think (as a member of the public) that I have 1 set choice if I'm looking to buy an art print. Aluminum might be trendy, but some images simply look astonishing on aluminum, and I wouldn't want any other format. A "painterly effect" photo on canvas is almost a given sometimes. Though I suspect many sellers of photography (in shows, etc.) probably do the bulk of their cash-and-carry in paper prints?
- Christopher J. Budny
Read this Q&A at BetterPhoto.com

Answer this question:
1: Portrait lights

A friend gave me a couple of cloth umbrellas with bulb slave lights, which they used for there floral photography. Will I get decent portraits using this light set-up? Thanks.
- Chuck Bruton

ANSWER 1:
Hi Chuck,
I am guessing that they are Britek units, because they are designed like bulbs, and have built-in slaves. You can take portraits with these. Since they aren’t very bright, you’ll need to work at a high ISO. You may have problems with ambient light, or in lighting large spaces or groups. I do not recommend Britek units in my classes. These articles, here at BetterPhoto, may be useful to you: www.betterphoto.com/article.asp?id=129 and http://www.betterphoto.com/article.asp?id=148
Thanks,

- John H. Siskin

See John Siskin's Basic BetterPholio™:
http://www.betterphoto.com/mg.asp?id=158091

Take an Online PhotoCourse™ with John Siskin:
4-Week Short Course: An Introduction to Photographic Lighting
4-Week Short Course: Getting Started in Commercial Photography
4-Week Short Course: Portrait Photography Lighting on Location and in the Studio
Read this Q&A at BetterPhoto.com

Answer this question:

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