|
Featured Gallery
 © - Dan Walters
Welcome to the 304th issue of SnapShot!
Hello,
We are thrilled to welcome the newest member of our outstanding team of BetterPhoto instructors! Gregory Georges, an established pro shooter with 10 books to his credit, will teach an awesome new 4-week class - Photographing Fast-Action Sports with a Digital SLR - that begins March 7th. ... Looking ahead, we are also excited about the photographic event of the year: the 3rd Annual BetterPhoto Photography Conference (September 29th and 30th, 2007, in Chicago). It will take place at a grand location, and feature a plethora of instructors, a ton of information and inspiration, and a lot of great fun! Check out the conference details... In this issue, don't miss the new articles posted by BetterPhoto instructors, as well as This Week's Tip. ... Enjoy your week of photography!

Jim Miotke Where Is Jim?
Updates From BetterPhoto
The next session of 4-week photography class kicks off March 7th, and includes five new courses:
- Composition - The Essentials
- Raw Shooting
Capture to Finished Photo with Adobe
- Image Design: Essential Design Concepts
- Image Design: Advanced Design Concepts
- Photographing Fast-Action Sports with a Digital SLR
At BetterPhoto, we have quite a number of excellent articles written by our online photography instructors. Here are some of the latest:
- Histograms: Not as Obvious Nor as Boring as You Might Think! by Ellen Anon
- Creative Photography ... Through the Microscope! by John Siskin
- Taking Maximum Advantage of Minimalist Art! by Matt Bamberg
Bruce Smith is a top-level fashion photographer who not only teaches a terrific Fashion & Beauty online class right here at BetterPhoto, but he also runs a series of photography master classes around the world throughout the year. See Bruce's workshop schedule...
Photo Q&A
1: Emotional Aspect of Pphotography
How many times have you seen an excellent shot and thought, "I'd feel like a fool getting out of my car here in front of all these people to snap a photo"? (This happened to me this morning - wished I had stopped.)
- Michael D. Kendall
ANSWER 1:
Some of my best shots were because I didn't care about looking foolish. OK, the time I got flat on my back in the center of a railroad museum floor to shoot the ceiling, even my wife and son disappeared, lol Let people laugh. You'll get the shot they only dream of, or at least give them something to talk about the rest of the day. :)
- Mike Rubin
ANSWER 2:
Quite a few years ago I was flat on my belly photographing ants. Another photographer came up and snapped a pic of me shooting ants. That picture was published in the Los Angeles Times. That was embarrassing. Got a good picture of an ant, though. Thanks, John Siskin
- John H. Siskin
See John Siskin's Premium BetterPholio™: http://www.betterphoto.com/mg.asp?id=158091
Take an Online PhotoCourse™ with John Siskin: 4-Week Short Course: Framing and Mounting Your Photographs
4-Week Short Course: Introduction to Product Photography
4-Week Short Course: Portrait Lighting on Location and in the Studio
Understanding Professional Lighting
ANSWER 3:
I've had several amusing things happen. In the spring, there's a nice wildflower patch in the median between 3 roads. I always get strange looks when I'm flopped on my face in the middle of it shooting flowers. Once, I was on my back shooting the undersides of some tulips, and pretty soon, a lady appeared in my vision field wondering if I was okay. Her car was stopped with the doors open in the middle of the road. Gotta love it!
- Carolyn Fletcher
ANSWER 4:
I used to give students an assignment to shoot cracks in sidewalk. The assignment taught them how to use line as part of a design and that you could get away with crazy behavior if you had a camera. Thanks, John Siskin
- John H. Siskin
See John Siskin's Premium BetterPholio™: http://www.betterphoto.com/mg.asp?id=158091
Take an Online PhotoCourse™ with John Siskin: 4-Week Short Course: Framing and Mounting Your Photographs
4-Week Short Course: Introduction to Product Photography
4-Week Short Course: Portrait Lighting on Location and in the Studio
Understanding Professional Lighting
Read this Q&A at BetterPhoto.com
Answer this question:
2: Best Way to Back Up Photo Files?
With all the new bells and whistles out there has this old farm boy wondering what is the best way for me to go to backup photo files - CD, DVD, external hard drive?
- David L. Pabst
ANSWER 1:
Imo, the safest way is to burn them to DVD-R's. Two copies, each to be stored at a physically different place. Since the chemicals in the plastics in DVD's also react with each other (and with light? And with gases in the air?), which slowly deteriorates (destroys) them to the point of being unreadable/illegible, it is very advisable to burn new copies of your DVD-R's - on new DVD-R's, of course - every 2 years (then destroy the 'old' ones). However, this won't be "for generations", if only for the fact that PC's, system software and 'reading' software will be so different from today's in, say 20 years, that your DVD-R's - however pristine and perfect - most probably can't be read by then. Try and find a record player these days to play your old stack of vinyl records... NO photo storage method - be it film or digital - can guarantee to keep your photos perfect for anything over 50 years. If you want to keep them better longer, you will have to re-store them within 10 or 20 years (max) with the THEN available technology. Every 10 or 20 years again! And so on, so forth. Storing on hard disks is easy. But extremely volatile. (Hard disks fail!).
- W. Smith Read this Q&A at BetterPhoto.com
Answer this question:
3: Modeling Lights
I have a Paterson/Interfit system, which I am starting to use more and more. I normally shoot in concert. What wattage of bulb would you recommend for studio use per monolight? Also, are modeling lights any different from lights that can be bought in, say, Home Depot?
- Barry McCloud
ANSWER 1:
I usually use modeling lamps I get at Lowe's. The difference is the brightness of the lamp. If you are going to use the modeling light to try to previsualize your shot you will want all your bulbs to be the same. It will help if they are bright. I usually previsualize a shot in my head, so I mostly use the modeling lights to tell me which way the lamp is pointed and to help me focus. Thanks, John Siskin
- John H. Siskin
See John Siskin's Premium BetterPholio™: http://www.betterphoto.com/mg.asp?id=158091
Take an Online PhotoCourse™ with John Siskin: 4-Week Short Course: Framing and Mounting Your Photographs
4-Week Short Course: Introduction to Product Photography
4-Week Short Course: Portrait Lighting on Location and in the Studio
Understanding Professional Lighting
Read this Q&A at BetterPhoto.com
Answer this question:
4: External Flash - Battery Power?
I am using a Canon 550 flash, which requires 4 AA batteries. I run through tons of batteries during the course of a typical wedding day. I can see in the prints when the batteries are weakening. And I try to change them often enough to keep it firing at full power. I also have the energy saver setting on. Does anyone have any suggestions or tips for this problem? Thanks, Rachel
- Rachel Larson
ANSWER 1:
Rechargeable NiCad or NiMH AAs will cycle faster than alkalines, but will not last quite as long. The only way to go longer without battery changes is to use an external battery pack. Canon's Compact Battery Pack CP-E3 loads 8 AAs, it's Transistor Pack E uses 6 C cells. There are similar solutions from other companies, such as Quantum Turbo.
- Jon Close Read this Q&A at BetterPhoto.com
Answer this question:
5: Vinyl or Muslin Backdrop?
I'm looking to purchase either a vinyl or muslin backdrop. Now, I've learned that a muslin backdrop is renowned for its wrinkles, and vinyl is supposedly of a much smoother finish. However, a member was complaining that their vinyl back drop was all wrinkled. Now I'm very confused!!! I want a white backdrop that is smooth and has no wrinkles. I also need it lightweight, as I will be going mobile. Any suggestions would be most appreciated!
- Sarah Stigant
ANSWER 1:
Get white seamless paper. Then, when it is stained, you can throw it away. It stays very smooth on the roll. If you get the very long rolls (100 feet or more), it is much cheaper to use, but also much heavier. Thanks, John Siskin
- John H. Siskin
See John Siskin's Premium BetterPholio™: http://www.betterphoto.com/mg.asp?id=158091
Take an Online PhotoCourse™ with John Siskin: 4-Week Short Course: Framing and Mounting Your Photographs
4-Week Short Course: Introduction to Product Photography
4-Week Short Course: Portrait Lighting on Location and in the Studio
Understanding Professional Lighting
ANSWER 2:
Yup - although vinyl (if stored properly) can lose its wrinkles over time, white paper is probably the only wrinkle-free option.
- Diane L. Dupuis-Kallos Read this Q&A at BetterPhoto.com
Answer this question:
|