PhotoFlash - Free Monthly Newsletter for 35mm Film Photographers

Welcome to the 14th issue of PhotoFlash

Hi

Springtime is rolling along beautifully here at BetterPhoto.com. First off in this latest issue of PhotoFlash, you'll want to check out the Featured Photo for a refreshing splash of family fun! Also this month, the Featured Article shows how you can work with a "boring" sky to create some exciting images.

Once again, BetterPhoto members demonstrate a variety of shooting techniques for creating some wonderful photographs - with subjects ranging from selective focus, star trails, and wildlife to homemade backgrounds, outdoor portraits, photojournalism. See the outstanding photo discussions below.

In other May news, sign-ups are well under way for summer photo school. Review BetterPhoto's excellent lineup of online courses at:
http://www.betterphoto.com/online-photography-courses.asp

To read the online version of PhotoFlash at our Web site, visit http://www.betterphoto.com/photoflashes/

Have a great month!
Jim Miotke
http://www.betterphoto.com/MG.asp?ID=124

In This Issue: Sunday, May 02, 2004


 

Featured Photo: Cooling Off

Cooling Off
Cooling Off
This was one of those special moments between father and son. Lighting, everything perfect. I raced to get my camera and with only 2 shots left (of course) and ISO 100 (oh, no), I captured one of my most treasured memories!

© Melisa R. McKolay

Canon EOS Rebel 20...

 

Featured Article: "Bad Sky," Good Pictures
Nature's great white umbrella - also known as an overcast sky - produces beautifully soft and even light. It’s just the thing for making colors and details come alive. Despite the benefits, though, there also can be drawbacks. For all the details, including shooting tips and tricks, read BetterPhoto instructor Kerry Drager's illustrated article.
Read more...
 

Where in the World?
Can you guess where this picture was taken? If you think you have a clue, try offering a response.

To learn the correct answer to the last quiz - and see who came the closest, visit the previous Where in the World quiz.

Road To Nowhere

© Gary O`Dell

garysphotoimages.com
Canon EOS D60 Digi...

 

Books by Instructors at the BetterPhoto Store

 
Some terrific resources on photography are available at the BetterPhoto store. Authored by BetterPhoto instructors, these books make perfect companions to our online photography courses. Each book is also autographed by the author. For instance, check out titles by Vik Orenstein, George Schaub, Jim Zuckerman, Brenda Tharp, Kathleen T. Carr, Tony Sweet, Bryan F. Peterson, Jim Miotke, and Kerry Drager.  Learn more...

 

New Photo Discussions

New Photo Discussion 1: Easter Eggs

Easter eggs
Easter eggs

© Erik Ahrend

Canon EOS 10D Digi...
Nice image, Erik!
- Kristen W

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Response 1:Great shot, Erik. The line, colors, repetition, DOF - all very eye-catching.
- Carol L. Engstrom

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Response 2:Thanks! I actually had a lot of fun doing this (perfect for a rainy day...). I did it as an experiment and tried the picture with every aperture the lens allowed me (from 5.6 to 32). Try it, I assure you it's interesting no matter how well you know how your camera works. It's always nice to see a practical example.
- Erik Ahrend

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New Photo Discussion 2: Drenched

Drenched
Drenched

© Kelly Andrews

thrukellyseyes.com
Canon EOS Digital ...
Very pretty. Did you use a macro lens or extension tube?
- Cathy Gregor

Response 1:Thanks, Cathy. Actually, I just used my Canon 70-300mm lens and stood about 5 feet away. I really like using that for my close-up shots. I used to have a Quantaray 70-300 with a macro button, but the only difference with the macro button was that it allowed me to stand closer to the object and thus make it even larger. I find I can fill the frame usually even standing 5 feet away if I zoom all the way.
- Kelly Andrews

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Response 2:I have a Tamron 28-300mm, so I should be able to do the same thing! Thanks.
- Cathy Gregor

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New Photo Discussion 3: Selective Focus

Selective Focus
Selective Focus

© Michael Brown

Canon EOS Digital ...
Thanks, Michael, for your comment on my photo "morning mist". Your macro is amazing. Are you using any filters or extension tubes with that? Thanks.
- Elena Loukianova

Response 1:Thanks, Elena! With this shot, and some of the others in the gallery, I used the 100mm macro and then attached a old Nikkor 50mm 1.4 lens in reverse onto the macro, which gets me in even closer. It's very easy to do, and I often get the soft and dreamy macros that I long for while using this setup. With this particular shot, I used the 100mm macro, an extension tube, the 50mm added in reverse, 2 reflectors, and a macro slider on a tripod. Don't have the other exposure specs, because I am posting from a different computer right now. Will add the rest of the needed info to the rest of the gallery hopefully this weekend. Again Elena, thanks for the comments and looking to seeing much more of your work also!
- Michael Brown

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New Photo Discussion 4: B-Side

B-Side
B-Side
unrecorded exposure

© Ryan P. Booth

Nikon N80/F80 SLR ...
What a GREAT B/W photo. I've thought about doing something just like this. Great use of perspective ... hope to see this in the winner's circle.
- Nancy Grace Chen

Response 1:Thanks so much. This old bookstore I found was BEGGING to be photographed. It was endless, floor to ceiling displays of every book you could ever imagine. I shot two rolls in the store and could have stayed for hours. It was amazing.
- Ryan P. Booth

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Response 2:Great shot, Ryan!! You used your space effectively to show off each person. B/W tones are good too.
- Pat Borowicz

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New Photo Discussion 5: Reaching for the Sun

Reaching for the Sun
Reaching for the Sun

© Elisabeth Haug

Canon EOS 10D Digi...
Great color, light and composition - very interesting flower! Well done:)
- Alisha May Furbish

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Response 1:I love this. The flower is stunning. How did you create this background? It is wonderful.
- Cathy I. Barrows

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Response 2:I too wonder how you did this, Elisabeth. Gorgeous! It's a winner in my book! :-)
- Patricia Marroquin

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Response 3:Thank you! My good fortune was to come upon this very beautiful garden by the ocean. In it, I found a huge bush probably 8 feet long and three or four feet wide filled with these flowers. I simply selected a single flower that was far enough away from the others for me to be able to isolate it. I chose my focal point to be 300mm (450 because of digital) and shot.
- Elisabeth Haug

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New Photo Discussion 6: Magical Oaks - Infrared Photography

Magical Oaks- Infrared Photography
Magical Oaks- Infrared Photography

© Donna Pagakis

Miscellaneous Does...
That's sweet, I have a roll of black and white infrared sitting in my freezer. I'm scared to use it! Any suggestions on what to do, or not to do? Thanks.
- Doug Schmidt

Response 1:This is beautiful. I am right there with Doug: I have a roll of it, too, and have hesitated to use it. I only have a dark orange filter, I don't know if that would work. I would love to hear your techniques, too!
- Alisha May Furbish

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Response 2:Thank you, Doug and Alisha. I took this many years ago. If you want this effect you would use a red filter. I would suggest that you bracket and keep track of everything you do - f/stops and shutter speeds. Then just experiment. I took this with a 4 x 5 camera. Good luck and have fun!!!
- Donna Pagakis

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New Photo Discussion 7: The Magic Lantern

The Magic Lantern
The Magic Lantern
Pt. Reyes Lighthouse from an unusual point of view, way way up on the bluff.

© Art Rosch

artsdigitalphoto.com
Canon EOS 10D Digi...
It is magic! I can't imagine how you accomplished this, it's like a vortex of stars!
- Deborah Sandidge

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Response 1:Thanks, Deborah. The time involved in any good star trails shot is daunting. I mean, how does one pass the time waiting while the sky turns for two hours? It helps to have company.
- Art Rosch

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Response 2:Astounding shot, Art!! This is just wonderful!!
- Carolyn Fletcher

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New Photo Discussion 8: Birdhouse Silhouettes

Birdhouse Silhouettes 3
Birdhouse Silhouettes 3
Sunset at my Ranchette; 75-200mm zoom; Fuji Velvia 50

© Kerry Drager

kerrydrager.com
Beyond Snapshots Course
Field Techniques Course
Very nice.
- Jinel

Response 1:Hi Jinel: Thanks for commenting ... I'm pleased you like it! Just a few words on the making of this photograph:

- Exposure: I took a meter reading on a middle-toned part of the sky (not the brightest, not the darkest). Then I locked in those settings, re-composed, and fired away.

- Composition: We have a big collection of birdhouses, but I decided here to zero in on just three. I picked one to be the dominant foreground subject, then let the other two serve as "secondary" subjects in the background.

- Depth of Field (the range of sharpness from front to back in a picture): Although I usually photograph these birdhouses with a deep depth of field (small aperture/large f-stop number), I decided to go for a selective focus effect (sharp main subject, blurred background). That was accomplished by a combination of a telephoto lens, a fairly close-up subject, and a large aperture (small f-stop number).

- Tripod? Absolutely, in order to keep my camera good and steady, and also to help me carefully compose this image.


- Kerry Drager

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New Photo Discussion 9: Surreal Flight

Surreal Flight
Surreal Flight
1/750, f5.6 Canon EF 100-400mf4.5-5.6L IS

© Terry Cervi

Canon EOS 10D Digi...
Terry, excellent! A very creative image - I would love to know how you did this.
- Greg McCroskery

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Response 1:Thanks, Greg. This was taken at Niagara Falls yesterday afternoon. Part of the ice bridge that forms below the falls was still there, so I merely waited for a seagull to fly over that area. I really didn't do anything special. This is just how it appeared.
- Terry Cervi

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Response 2:Terry, I figured you had used a bunch of PS magic to produce this image. The fact that it's a captured image really blows me away! I love the format and composition. Wow - keep up the great work!
- Greg McCroskery

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New Photo Discussion 10: Mercury Eight, Ontario

Mercury Eight, Ontario
Mercury Eight, Ontario
Taken with 28-105 USM Canon lens, Camera on Program, I got down on my knees as low as I could and pointed the camera upward to try to create a different perspective.

© Paula M. Showen

Canon EOS Rebel 20...
Cool car!!
- Donna J. Taff

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Response 1:A classic Car, a personal plate, and a terrific photo, Paula, what more could any one ask for? Exceptionally well done, my dear friend, great job.
- Allan L. Whitehead

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Response 2:Great perspective, Paula, it really makes that nose stand out! Very nice!
- Dale Ann Cubbage

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Response 3:Thanks, everyone! Allan, I actually edited that plate number. That is not the number that is actually on the plate. I wasn't sure that I should be putting the license number on the Internet.
- Paula M. Showen

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Response 4:Nice looking, Paula!!
- Terry R. Hatfield

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Response 5:Thanks, Terry! I read Kerry Drager's article for tips on shooting antique cars! Here's the link: http://www.betterphoto.com/article.asp?id=8
He has some really interesting tips!
- Paula M. Showen

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New Photo Discussion 11: Great Egret 2

Great Egret 2
Great Egret 2
Fort Desoto Park, Pinellas County FL, 200mm, Polarizer, Fuji Velvia, f11

© Laurie Meehan-Elmer

LMEimages.com
Nikon N70/F70 SLR ...
Absolutely beautiful, Laurie! We see the Great Egret here near Lake Macquarie (NSW, Australia) too ... and my husband Phil and I know how hard it can be to get images like this of them! Excellent capture - love the lighting, clarity, composition AND the reflection! Was this an early morning shot?
- Carolyn J. Connolly

Response 1:Thanks, Carolyn. Yes, this was an early morning shot. I must confess, getting shots of these birds isn't really that difficult. This was taken at Ft. Desoto Park near my home. There are always people fishing in the same area where the birds like to congregate. When someone catches a fish they don't want to keep, they will often offer it to the birds. So, the birds have not only become accustomed to people, they seek them out. This particular bird followed me up the beach after I was done shooting. I have found that most of the fishing piers in the area also make great spots to get bird close ups for the same reason. I have literally seen pelicans begging for fish by poking people with their big beaks.
- Laurie Meehan-Elmer

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New Photo Discussion 12: Tulip with Shadow

Tulip w/shadow
Tulip w/shadow

© Rose Badasch

Canon EOS Digital ...
Excellent ... I like this one better then the other one, but both are beautiful!
- Kristen W

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Response 1:Thank you. I like this one better also. I took the photo of this one first and had an annoying stem from a weed flapping in the wind. So on the second picture I pushed it back behind the homemade background. The tulip is in front of a chain-link fence. So I took a piece of foam poster board and sponge-painted it green.
- Rose Badasch

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New Photo Discussion 13: An Easter Bouquet

An Easter Bouquet
An Easter Bouquet
Taken in my home, using black velvet for a background and window light as the light source. Aperture priority; ISO 100; f/8.0, ss1/8. Hand held.

© Gerda Grice

Minolta Dimage A1 ...
This is a beautiful image, Gerda! Love the beautiful colors against the dark background!
- Evy Johansen

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Response 1:Thank you so much, Evy. These flowers are part of a really big bouquet that my husband and I bought on our way home from church yesterday, and I've had hours and hours of pleasure so far photographing the flowers singly and in groups. I'm very glad you liked this image. Hope that you and yours had a very happy Easter!
- Gerda Grice

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New Photo Discussion 14: Warm Glow in the Rule of Thirds

Warm Glow in the Rule of Thirds
Warm Glow in the Rule of Thirds
Warm light on dog at sunset.

© Elaine Burroughs
I love the light. Was this taken in the late afternoon? The rule of thirds does work well with this pic.
- Jenna M. Anderson

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Response 1:Thanks for your comments. Yes, this was taken around 5:45 on a summer afternoon. I actually had planned on getting photos of the sunset, but the sunset was not that great that day. Then my friend's dog decided to be a ham, and I was able to get some decent shots! Thanks again :)
- Elaine Burroughs

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New Photo Discussion 15: Lighthouse, St. Michael's Maritime Museum

Lighthouse, St. Michael's Maritime Museum
Lighthouse, St. Michael's Maritime Museum
f 5.6, 30" exp. sunrise, Eastern Shore of Maryland

© Robert H. Diefenbacher

Minolta Maxxum 7 S...
The thumbprint makes it look like a rocket upon ignition! This is really a pretty, pretty shot.
- Bonnie Lackey

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Response 1:Thanks, Bonnie. Now that you mention it, it does have the "rocket" concept. The sky kept changing, of course, as the sun crept up to the horizon, and the pink in the clouds became stronger. I have several exposures, all 30 seconds, so there is a lot of variation in the sky.
- Robert H. Diefenbacher

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New Photo Discussion 16: Can't Stable This Filly!

Can't stable this filly!
Can't stable this filly!

© Josh Hudson

Nikon D100 Digital...
Nice shot, Josh!!
- Gordon J. Evans

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Response 1:I usually don't like people pictures, but I do like this one. The model is very pretty, and the thing that catches my eye is how all the colors connect. The jeans stand out, and that is an attractive feature. The pose and framing is very good as well.
- Ellen A. Crownover

Response 2:Thanks for the great comments. I spend as much time planning the colors for clothes as I do scouting locations, planning lighting and composition. I spend WAY too much time on complementary colors to the background.
- Josh Hudson

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Response 3:Josh, real nice. Can you tell me anything on your lighting for this?
- David j. Brewster

Response 4:Sure, Dave. I put an Alien Bee 1600 light shooting through an umbrella about 30 degrees to the right of the model and about 8 feet away. I then shot through another umbrella with an Alien Bee 800 light directly to her left in the stall about 6 feet away. The 1600 was at 1/2 power, and the 800 was at 1/3 power. Normally I would get a third light in someplace or a reflector, but I thought this lighting was balanced to create good strong shadows.
- Josh Hudson

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New Photo Discussion 17: Rescued!!

Rescued!!
Rescued!!
They're calling him a hero - he steered his rig and 25-ton load over a 40-ft. embankment, stopping just 6 ft. from the water's edge, to avoid taking out a string of oncoming traffic. More later!

© Len Pierce

Canon EOS 10D Digi...
Great capture here, Len!! Is this for real or one of the staged rescue thing?? Looking forward either way to more of your images!!
- Shirley L. Carpenter

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Response 1:Thanks for the comment, Shirley! Yes, this is for real. I have some more images of the rig and the rescue in progress, which I will post in the days ahead. I try to take my camera with me where ever I go - just in case!
- Len Pierce

Response 2:Great capture, Len! Did you get any of these to the local papers?
- Dale Ann Cubbage

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Response 3:Thanks Dale! Actually I was in there shoulder to shoulder with newspaper photographers and TV news crews, and they all got their share of shots. It is really a thrill doing this kind of photography - you have to think and react quickly and stay ahead of the action. Really a challenge!! When I get a little better and a little more confident, I might try doing some part-time work for the newspapers.
- Len Pierce

Response 4:Great picture Len! Gee there really is something in taking your camera everywhere you go! Sure paid off for you on this day. Hope the driver was OK?
- Karen Lewis

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Response 5:Hello again, Karen! Thanks for stopping by, and yes, the driver was OK. He was trapped in the rig and got some bumps and bruises, but at least he didn't get crushed by his load. Lately, if I leave the house without my camera, I go back and get it!!
- Len Pierce

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The Next Step: Where to Go From Here



If you would like to be featured in PhotoFlash, we look for photo discussions that educate, inspire, and encourage BetterPhoto members. In the spirit of helping others become better photographers, we encourage you to share details, tips, and techniques in your discussions... after all, that is what BetterPhoto is all about - honest answers for budding photographers.

Until next time, thanks for reading and keep having fun with photography!
Jim Miotke
BetterPhoto.com, Inc.

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