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Charlie C   Featured in PhotoFlash #064
  Charlie C
Charlie C
Made with a Mamiya C-330 and the wonderful 180 super lens. Used Normann lights an a large diffuser.
© John H. Siskin
john-siskin.com
4-Week Short Course: Portrait Photography Lighting on Location and in the Studio
4-Week Short Course: Getting Started in Commercial Photography
4-Week Short Course: An Introduction to Photographic Lighting
Mamiya C33/C330 Me...
 
 
 
Sherry McClead
BetterPhoto Member

member since: 1/8/2004
    Wow John... such emotion... wonderful capture of a great subject... I stand in awe.
Sherrybear :}

6/18/2008 7:03:13 AM

 
John H. Siskin
BetterPhoto Member
John-Siskin.com
John's Photo Courses:
4-Week Short Course: An Introduction to Photographic Lighting
4-Week Short Course: Getting Started in Commercial Photography
4-Week Short Course: Portrait Photography Lighting on Location and in the Studio
 

Hi Sherry.
I shot this with one light panel and a strobe. The combination is very effective, gives you lots of options. I had known the subject for a couple of years before I shot him. I think this helps a lot, give the shot more connection. He has a very expressive face, but his life has been hard. Thanks for your interest! John Siskin

6/18/2008 9:38:33 PM

 
M.Christine Duncan
BetterPhoto Member
c-duncans-photography.com

member since: 2/18/2008
 

John, I don't know how many times I've passed on to others the advice on making a light panel that you once gave me, it's so easy to make one and is invaluable. This is such a wonderful photo, the light is dynamic to say the least! The fact he's looking out of the photo adds to his tough and withdrawn demeanor. Great portrait!

6/19/2008 8:55:03 AM

 
John H. Siskin
BetterPhoto Member
John-Siskin.com
John's Photo Courses:
4-Week Short Course: An Introduction to Photographic Lighting
4-Week Short Course: Getting Started in Commercial Photography
4-Week Short Course: Portrait Photography Lighting on Location and in the Studio
 

Hi Christine,
Thanks. It can be so satisfying to make a good photo. I really like turning people onto the techniques I’ve used to control light. I have seen a lot of people make this more difficult, like a magic show. Really there are two and a half important things: color, the size of the light source and the direction is important in relation to the size of the light source. The bigger the light source is the less direction is critical, which is why I think it is a half important thing.
Thanks,
John Siskin

6/19/2008 7:36:17 PM

 
Laura E. Swan
BetterPhoto Member
Contact Laura
Laura's Gallery

member since: 1/22/2008
 

The way you have positioned the light here looks to me like he is looking down. Out of a window wondering what his future will bring. He looks worried. I like how the light even hits his Adam's apple, John. As if part of his worries are ones a man alone holds. -Laura

6/20/2008 12:01:06 AM

 
Sherry McClead
BetterPhoto Member

member since: 1/8/2004
 

John, I would be interested in this light panel ... my son and some of his friends would like me to do their senior pictures for them.
Sherrybear :}

6/20/2008 5:09:55 AM

 
John H. Siskin
BetterPhoto Member
John-Siskin.com
John's Photo Courses:
4-Week Short Course: An Introduction to Photographic Lighting
4-Week Short Course: Getting Started in Commercial Photography
4-Week Short Course: Portrait Photography Lighting on Location and in the Studio
 

Hi Sherry,
There is an article about building a light panel here at BetterPhoto, check it out:
www.betterphoto.com/article.asp?id=156.
I think the light panels are really useful tools. I’ve built about five of them.
Thanks Laura, he was really interesting to work with. The sense of worry and depression seem built in with Charlie. I hope his future is kind.
Thanks,
John Siskin

6/20/2008 12:37:03 PM

 
marci D. 
BetterPhoto Member

member since: 3/20/2007
 

Wow, very impressive, dramatic portrait! I'm going to go out on a limb here and ask an ignorant question: Other than the format (light panel is free-standing) is a light panel the same thing as a reflector?

7/10/2008 12:10:31 PM

 
John H. Siskin
BetterPhoto Member
John-Siskin.com
John's Photo Courses:
4-Week Short Course: An Introduction to Photographic Lighting
4-Week Short Course: Getting Started in Commercial Photography
4-Week Short Course: Portrait Photography Lighting on Location and in the Studio
 

Hi Marci,
The light panel can be used as a reflector, but the primary difference is the size. The panel here is 3.5X6.5 feet, a large light source. You won't get the same light from a 2 foot reflector. What is important is the size, not the material. Each point in a light source lights each point in the subject, so large light sources give a very different light from the more common small light diffusers. Thanks, John Siskin

7/10/2008 12:25:08 PM

 
Jesse C. Plummer
BetterPhoto Member

member since: 8/2/2007
 

Impressive. I kind of thought there just wasn't much more that could be done with human subjects in the photography world. You proved me wrong. This is outstanding. The emotion, the burden, the weight of the world is on his shoulders. You captured it well.

7/15/2008 6:50:53 PM

 
John H. Siskin
BetterPhoto Member
John-Siskin.com
John's Photo Courses:
4-Week Short Course: An Introduction to Photographic Lighting
4-Week Short Course: Getting Started in Commercial Photography
4-Week Short Course: Portrait Photography Lighting on Location and in the Studio
 

Hi Jesse,
I think this shot is particularly effective because I had known Charlie for a long time when I made the photograph. Portraits are about an intimacy, and that is hard to achieve instantly. Thanks so much for your feedback on this image. John Siskin

7/16/2008 9:22:40 AM

 
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