Mike Johansen |
Black and White from Color Film? First of all, thanks to everyone who contributes to the many questions. My question: I have been asked to provide some outdoor black and white shots for interior design, approximately 20 x 30 size, using medium format (6x4.5 or 6x7). I've always shot color, and my lab says to continue and they will process in B/W. I will practice this weekend, but have never looked at any subject and "imagined" B/W. Any suggestions/tips, etc.?
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Jordan |
In general, for shooting B/W, I've always looked for things like shape and texture to make the images interesting - or even certain kinds of lighting. Don't look for vivid color to make the image appealing to look at.
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Robert Bridges |
many many years ago ( I refuse to say how many) when I was into B&W in a big way I bought some gel filters from Kodak (which they probably still make) and fitted them over a pair of glasses. Essentially, these filters changed the world into brown and white. You might get some and play.
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Dan |
If you use digital, color can be convered using software to convert it to BW... Photoshop tool bar>
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russ bronson |
We played in the darkroom last year with some 35mm color film of 9/11, and printed in black and white. What we got was a very interesting soft finish, and the larger we printed, of course the softer we got. It was a stunning effect, but if your client is after sharpness in these huge prints, I don't think that even the large format negative is going to help you. For that size of print, I would staying with black and white film, but only speaking from my one experience.
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James C. Ritchie |
tool bar>
[Note - This was done in Corel PhotoPaint. I assume Photoshop would produce similar results.]
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James C. Ritchie |
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James C. Ritchie |
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