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Photography Question 

Greg D. Scharton
 

Interior Shooting Tips and Help


Hi, I'm looking for some tips and help out there for an interior shooting I have coming up.

This is actually an event; an open house for a new motorcycle shop. I haven't scoped it out to see the lighting. I do have Photoshop, Photomatrix (and the plug-in in Photoshop cs3). However, I do not have a reflector, like I've seen in other forums that people use for shadows. I have an SB-800 flash for my Nikon d70s. Here's the catch... with the 3 exposures for the HDR images, I'm concerned that the slow shot for one of the 3 images with blur the people there. Any advice?


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May 08, 2008

 

BetterPhoto Member
  If you want to keep people in focus, I suggest that you use your flash with a normal sync speed. As for reflectors, I usually don't use them for architecture shots. I have, on occasion for dark areas and corners, but I've found the flash to be enough light in most circumstances.

Have fun and keep shooting,
Mark H.


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May 08, 2008

 

W.
 
In addition to what Mark said: if you shoot RAW every single shot can be output as up to 6 different images, every one with different exposure settings. With which you can craft your HDRIs!


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May 08, 2008

 

Greg D. Scharton
  Thanks Mark and W.S.

W.- I'm aware of the raw images, which is usually how I shoot my HDR's I was just wondering on how to stabalize the movement. Can I shoot bracketing with my flash?


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May 08, 2008

 

W.
 
"Can I shoot bracketing with my flash?"

Dunno if a D70s can do that, Greg. Probably not (recharge time). But even if it can, the REAL question is: would YOU want that? Because your subjects will move between flashes/exposures, so making an HDRI of a bracketed scene with people is out of the question.


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May 09, 2008

 

Greg D. Scharton
  Yeah,

That's what I was thinking... So now it's back to the drawing board. Maybe just hope for the subjects in the room to be still and hurry with my pictures? haha


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May 09, 2008

 

W.
 
No. Just shoot RAW. Then convert that one RAW file into 3 or 4 differently exposed TIFF files. Then do your HDR magic with those 3 or 4 'originals'.

I suggest you start practicing that M.O. asap to get it down pat BEFORE the gig.


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May 09, 2008

 

Greg D. Scharton
  That's genious... I never would have thought about that. So, 1 single images, but going into CS3, take the 1 raw file and over expose, under expose, and correct expose it... THEN HDR it. Gotcha!

Wow... Thanks so much. That makes so much sense.


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May 09, 2008

 
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