Greg D. Scharton |
Interior Shooting Tips and Help Hi, I'm looking for some tips and help out there for an interior shooting I have coming up. This is actually an event; an open house for a new motorcycle shop. I haven't scoped it out to see the lighting. I do have Photoshop, Photomatrix (and the plug-in in Photoshop cs3). However, I do not have a reflector, like I've seen in other forums that people use for shadows. I have an SB-800 flash for my Nikon d70s. Here's the catch... with the 3 exposures for the HDR images, I'm concerned that the slow shot for one of the 3 images with blur the people there. Any advice?
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BetterPhoto Member |
If you want to keep people in focus, I suggest that you use your flash with a normal sync speed. As for reflectors, I usually don't use them for architecture shots. I have, on occasion for dark areas and corners, but I've found the flash to be enough light in most circumstances. Have fun and keep shooting,
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W. |
In addition to what Mark said: if you shoot RAW every single shot can be output as up to 6 different images, every one with different exposure settings. With which you can craft your HDRIs!
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Greg D. Scharton |
Thanks Mark and W.S. W.- I'm aware of the raw images, which is usually how I shoot my HDR's I was just wondering on how to stabalize the movement. Can I shoot bracketing with my flash?
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W. |
"Can I shoot bracketing with my flash?" Dunno if a D70s can do that, Greg. Probably not (recharge time). But even if it can, the REAL question is: would YOU want that? Because your subjects will move between flashes/exposures, so making an HDRI of a bracketed scene with people is out of the question.
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Greg D. Scharton |
Yeah, That's what I was thinking... So now it's back to the drawing board. Maybe just hope for the subjects in the room to be still and hurry with my pictures? haha
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W. |
No. Just shoot RAW. Then convert that one RAW file into 3 or 4 differently exposed TIFF files. Then do your HDR magic with those 3 or 4 'originals'. I suggest you start practicing that M.O. asap to get it down pat BEFORE the gig.
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Greg D. Scharton |
That's genious... I never would have thought about that. So, 1 single images, but going into CS3, take the 1 raw file and over expose, under expose, and correct expose it... THEN HDR it. Gotcha! Wow... Thanks so much. That makes so much sense.
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