Jen Orbistondo |
Catchlight Question
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Mark Feldstein |
Greetings Jen. I don't know what the phrase "catchlight" means to you but I looked at the shots in your gallery and see that most of the shots of people have catchlights at one position or another reflected in their eyes. The light source appears exactly as you describe it in that it's a ceiling or even natural sunlight. Understand that a catchlight is really nothing more than the eyes of your subject catching or reflecting the light source. So, this is something you see in people of course, not outdoor scenes like sunsets. With a technique called "Rembrandt lighting" if you place a single light source at the 10:00 or 2:00 position to your subject who must be looking at the camera lens, you'll produce a reflection in their eyes at one of those two positions. You can do that with any light source; a strobe, a single hot light source, even a table lamp. It doesn't have to be powerful. When you enlarge the resulting photo to a sufficient size and place it on a wall, you'll find the eyes of the subject appear to be following you.
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Jen Orbistondo |
Hi Mark - Thanks for the response. I'm looking for a larger, consistant catchlight that really showcase the eyes. Obviously I need a larger light source so for now I'll try a lamp until I can get more equipment. Thanks again!
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Jen Orbistondo |
Hi Mark - If you have a moment, please check out the following gallery: http://www.betterphoto.com/gallery/gallery.php?mem=148976 This is what type of catchlights I'm trying to acheive. If you're too busy, I completely understand of course.
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- Gregory LaGrange Contact Gregory LaGrange Gregory LaGrange's Gallery |
If it's the first picture you're talking about, that's the sky. Bounce you flash off the ceiling or wall if you can.
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Debby A. Tabb |
I was going to refer you to this thread, but it is yours as well. http://www.betterphoto.com/forms/QnAdetail.php?threadID=29651 If you are still having trouble and can not acheive theeffect you want , may I suggest emailing Jane and asking the conditions for the Portrait in question.
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Mark Feldstein |
Well Jen, I looked at the page you directed us to and now I'm a bit confused. Perhaps you mis-understand the general principle of catchlights which is simply to give life to the subject's eyes, right? And this is accomplished in a number of ways. First, the size of the catch light (say one in each eye) depends on the general light of the surroundings. You'll notice in studio portraits taken in dark surroundings with a single strobe, that the catch light may seem larger and brighter. The reason is because as the size of the pupil opens up in response to the dimly lit room, it provides a slightly larger dark surface of the eye for the light to reflect on as opposed to when the pupil constricts in brigher surroundings and the iris (colored part of the eye) appears larger. So I think to get the larger catchlights you want, you need to do two things: First, shoot with a somewhat larger light source, say a medium power monolight. Also, the kind of reflector you use, if any, will determine the shape and to some extent, the size of the catchlight. E.g., a round reflector will produce round catchlights. A square softbox will produce a square one. Multiple lights will, depending on their position to the subject, produce multiple catchlights. Also, remember that in placing your lights, you need to avoid bouncing them directly off the subject's retina which will produce red eye in a setting where their pupils are dialated. That's true, regardless of the light source. To avoid that problem, just get the subject's eyes out of the direct or straight line of sight of the light source. If you're trying to increase catchlights outside without a strobe, use a large reflector panel, perhaps a large round one supported on a stand or by an assistant. AND when you're setting up and working with a natural light source, say sunlight or reflected sky, just pay careful attention to the image in the viewfinder and you will probably be able to see the size and shape of the catchlights before you shoot. The same is true when shooting in a studio-like setting using strobes with a modeling light. Try that and see what you get. Okie dokie? ;>)
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Mark Feldstein |
Sorry, I forgot two points I wanted to make. You can use your SB800 in a portable umbrella or reflector that will give it a more defined shape when reflected in the eyes. Second, if you use multiple light sources, you'll get multiple catchlights which is apparent in Jane's work. I don't particularly like that look in the sense I prefer a more defined, single catchlight rather than clusters of them. But it's all personal preference, I guess.
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