IVAN R. MENDEZ |
LENSES I OWN A NIKON D70S , WHAT I WILL LIKE TO KNOW IS ,DO THE PICTURES HAVE A DIFFERENCE IF YOU USE A REGULAR 35MM LENSE OR A DIGITAL LENSE,WHATS THE BEST LENSE TO BUY REGULAR 35MM OR DIGITAL LENSE
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Alan N. Marcus |
Hi Raul, Years ago it was determined that the normal lens for any camera is a lens with a focal length that closely matches the diagonal measure of the film format. In the case of a standard 35mm camera the image size (film format) is 24mm x 36mm and the diagonal measure of this rectangle is 43.3mm. Now 43.3 is an awkward length for a lens plus a little longer than the diagonal measure does no harm, so most 35mm cameras are sold with a normal lens of 50mm. This does two things. 1. The field of view closely replicates the normal angle of view of human beings. 2. All lenses project an image of the outside world onto the film/chip. Actually this image is a large circle and the film/chip frame sits in it’s center. All images so projected are dimmer at the peripheral. This phenomenon is known as a vignette. Now the longer the focal length the less the vignette effect. Thus the 50mm became the standard. For other film formats and digital, the diagonal rule applies. You need to know your chip (sensor) size so you can calculate the diagonal. In the case of you camera, the chip is 15.6mm x 23.7mm and the diagonal measure is 28.4mm. Thus the normal lens for this camera is about 30mm. Anything shorter would be considered a wide angle and anything longer a telephoto. Since most people think about lenses based on the 35mm camera experence, you can need to calculate a factor to convert back and forth between the two formats. In this case the factor is 1.5. As an example, your camera fitted with a 35mm focal length will function (have the same prospective) as a 52.5mm lens mounted on a 35mm camera. To more directly answer your question: Don’t hesitate to mount and use any lens. Just keep in mind the 1.5 conversion factor. Best of luck,
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Stan Lubach |
The main difference, Raul, between a lens made for film and one made for digital is in the way the light hits the film/sensor. On a film lens, the light rays hit the film at a diagonal. While fine for film, this isn't the best for a digital sensor, which needs the light to hit it head-on for maximum efficiency. A digitial lens is designed so that light hits the sensor straight-on, making the most use of the light coming into the lens. You'll have success with either type of lens, though you'll probably find the digitial lenses are a bit cheaper. They're optimized for the size of the sensor and can be made smaller than their full-frame counterparts.
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