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Photography Question 

Juliette` Colpa-Thomas
 

Don't Drink from THAT water fountain!!!


 
  Water Fountain
Water Fountain
Photo taken on automatic, indoors.

Juliette` Colpa-Thomas

 
 
Hi everyone, this is my problem: I am using a Nikon N80 film based camera. I took a picture of this water fountain before and got the same result (greenish tint). I was told to get a FLD filter, which I did and used for this shot. As you can see the photo still has a greenish tint. Does anyone know what might be the problem?


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April 06, 2005

 

Mark Feldstein
  Maybe the answer is.......a radioactive water supply? Hmmmm. OTOH, chances are this is more like it:

Flourescent lighting comes in different flavors. For example, there are daylight flourescents, white, warm white, warm white deluxe, cool white, cool white deluxe and a number of unknowns. While the FLD corrects for some tubes back to daylight, depending on the type of flourescent tubes it may not completely correct it as you discovered. Either an FLD or FLB helps a lot, but to make precise corrections, you may need a set of color correction filters with colors like cyan, magenta, red, blue in different densities.

To know exactly what color correction to use, you either need a color temperature meter (pretty pricey), or need to see the labeling on the light tubes, OR after awhile you can just look at them and determine what they are and know what types of filter(s) to use with what film. Look at the light cast on a white wall or card. Does the cast appear green, pink, white?

Sometimes Juliette, you may need to stack two filters together to make a complete correction, like for warm white, a 30B and #30Cyan. The filtration also depends on the film you're using. Fuji tungsten transparency film is a lot more forgiving with many flourescents than the daylight balanced slide films. With color negative film, a good printer can subtract out most or all of the color cast and balance for daylight. For that I like Agfa Optima. Also, with your shot at the fountain, using a touch of fill flash should eliminate the problem because you're essentially washing the scene with daylight to obviate the effects of the overhead lighting.

Next, if you want, we can discuss correcting for high intensity discharge lamps (HIDs) including mercury and sodium vapor. [Ohhhhhhhhhhhh nooooooooo, not the HID lighting correction problem!!!] LOL !!(I really hate that).

Take it light.
Mark


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April 06, 2005

 
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