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Online Photography Course
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| Benefits: You get direct feedback on your photos from world-acclaimed, professional photographers. You can learn photography in this way from anywhere in the world. |
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Kerry DragerKerry's Pro BetterPholio Web site offers an assortment of galleries and illustrated how-to articles on photography. In addition, kerrydrager.com was featured in Shutterbug magazine.
His work has appeared in Outdoor Photographer and other major magazines; Hallmark cards and Sierra Club Calendars; and in advertising campaigns for American Express and Sinar Bron Imaging. He is also the photographer of the photo-essay books The Golden Dream: California from Gold Rush to Statehood and California Desert, and is a contributing photographer for the books Daybreak 2000 and Portrait of California.
He lives with his wife, Mary, in the country near Sacramento, California, with their six Newfoundland dogs, a Himalayan cat, a Bengal cat, a Siamese cat, three mixed-breed cats, two horses, and a mixed terrier.
![]() © Kerry Drager | ![]() © Kerry Drager |
Week 1: Developing an Eye for Details
Introduction: Why a photogenic part sometimes is stronger than the whole. How to find eye-catching subjects. The art and technique of exploring and experimenting. Sidebar #1: Tripods and other camera supports. Sidebar #2: Macro equipment: A rundown (again, macro gear is optional in this course).
Assignment: Isolate the small view within the big scene - close-up or macro.
Week 2: Compositional Choices
Lens focal length options - moving physically closer vs. zooming in tighter. Zeroing in as tight as possible with standard lenses or with macro equipment. Positioning the subject. Simplifying a scene (by eliminating distracting elements). Sidebar: Depth of Field.
Assignment: Shoot the same subject with different compositions (close-up or macro).
Week 3: Light: Mastering It and Fixing It
How light can impact a photo: late/early day for warm light and striking shadows for small scenes; soft overcast light for close-ups and macro shots; sidelight vs. backlight; etc. Working in challenging conditions (light-vs.-dark contrast): “fixing” things with fill flash, a reflector, or diffusion disc, or by shifting the camera to eliminate a distracting bright “hot” spot, etc. Also: Using a polarizing filter.
Assignment: Shoot the same subject in different light - close-up or macro.
Week 4: Going to the Extremes - Close-ups and Macro
An introduction to extreme close-up and macro photography: Shooting survival strategies: i.e., dealing with a razor-thin depth of field, paying attention to backgrounds, etc. More tips, tricks, and techniques for successful macro photography.
Assignment: Experiment with viewpoint and sharpness – via close-focusing with a standard lens or moving in tight with macro gear.
![]() © Kerry Drager | ![]() © Kerry Drager |
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Recommended Gear:
Tripod (strongly urged). Macro lens, mode, or accessory (optional). Polarizing filter (suggested).
Optional: Macro gear (i.e., a macro function on camera, a macro lens, close-up filters, or extension tubes), a tripod, and a portable reflector.
If you shoot film, you will also need a way to digitize your images. You can use your own scanner to do this or you might try using a scanning service at your local photo lab or copy shop.
![]() © Kerry Drager | ![]() © Kerry Drager |
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