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Online Photography Course
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| Benefits: You get direct feedback on your photos from world-acclaimed, professional photographers. You can learn photography in this way from anywhere in the world. |
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Jon CanfieldHis "Output Options" column in Shutterbug has been a popular resource for thousands of people with questions on digital output and he is a consultant on digital printing for Canon, HP, and Pantone.
Jon is the co-author of Photo Finish: The Digital Photographer's Guide to Printing, Showing, and Selling Images, and the author of RAW 101: Better Images with Photoshop Elements and Photoshop; The Digital SLR Guide; and Print Like a Pro.
Listen to the fascinating BetterPhoto Radio Interview with Jon!
![]() © Jon Canfield | ![]() © Jon Canfield |
Lesson 1: Calibrating Your Display And Workspace
Introduction: Everyone talks about color management. What is it in plain terms, and why is it important to you? Lesson one will teach you the concepts and show you how to calibrate your display for accurate color.
Assignment: For your first assignment, I'd like everyone to select 3 images that represent the type of shots that you normally take, and more importantly, are interested in printing. If you have images that have given you problems in the past, they are good choices for working with in class. The ideal image will have a broad range of color for landscapes, or head shots for people photography. I want to see each of these before and after calibrating your display.
Lesson 2: Using Printer Profiles
The image on screen is only half the battle. Getting a print that matches can be a frustrating and expensive task. Lesson two is all about using the proper printer settings to get a print that matches your screen.
Assignment: For your second assignment, I'd like everyone to select 2-4 images that represent the type of shots that you normally take, and more importantly, have printed with mixed success. Using your normal printing process, print one copy of each image. Now, using the steps covered in this lesson, use Photoshop (or Elements) to manage the color and printer with the correct profiles and rendering intent. Upload each image along with details on what you did differently and the results you achieved.
Lesson 3: Soft Proofing
Did you know you can simulate the look of your output before hitting print? Soft Proofing can save time and money by showing you how the print will look on the selected media before wasting expensive paper.
Assignment: For this week's assignment, I'd like you to select 2 images you've had problems with in printing. Using the Soft Proofing features covered this week, including Gamut Warning, make corrections to the image to adjust the print to match your desired output.
Lesson 4: Creating Custom Profiles
A clear and understandable lesson on creating your own custom profiles for printers and digital cameras.
Assignment: I would like to create a custom profile for each of you on a paper that has given you problems in the past. Download the profile and print it out following the included instructions. Mail the print to me. I will create a custom profile for you and email it back. Once you have the profile, install it following the directions in this lesson and do a sample print using this new profile. Your new print should be more accurate than what you previously had with the previous settings.
![]() © Jon Canfield | ![]() © Jon Canfield |
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![]() © Jon Canfield | © Jon Canfield |
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