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Online Photography Course
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| Benefits: You get direct feedback on your photos from world-acclaimed, professional photographers. You can learn photography in this way from anywhere in the world. |
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Richard LynchAfter years of pushing pixels for fun, and with a long history of amateur photography and darkroom experience that stretched back to grade school, Richard Lynch began his professional image editing career as the editor of a photography book publisher in 1991. Starting in the late 90s, he began writing and publishing books on digital image editing with Photoshop. His books teach intermediate and advanced image editing techniques to Photoshop and Photoshop Elements users, also providing custom-made tools for Elements and Photoshop users that simplify difficult image editing processes.
Richard has been a columnist for Digital Photography Techniques, and has written for Popular Photography, PCPhoto, Photo Techniques, Advanced Photoshop and many other design and photography magazines. He teaches digital imaging and design at Daemen College in New York. His newest book, The Adobe Photoshop Layers Book, is a great companion to his Leveraging Layers course here on betterphoto.com.
Richard's photography tends toward the abstract, often using extreme editing processes and unusual equipment. His Sigma SD14 sports a range of common Sigma EX lenses, but can be fitted with an old bellows, extension tubes and an assortment of vintage M42 lenses from 10mm to 2300mm.
See more about Richard's books and tools on his Web site for Photoshop Elements users: http://hiddenelements.com and Photoshop: http://photoshopcs.com.
Richard’s four courses on betterphoto.com serve as a series:
Richard has a free Newsletter/Blog to all who are interested in bettering their skills with Photoshop.
Listen to Richard talk with Jim Miotke in a two-part interview covering his perspective on image editing: Part 1, Part 2
![]() © Richard Lynch | © Richard Lynch |
View photos by previous students. You can make pictures like this too!
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© Judith F. Stone |
![]() © Judith F. Stone |
Lesson 1: The World of Image Layers
Understanding how to work with layers starts with understanding some basics about what layers are, what their capabilities are, what functions are in the layers palette, and how to locate all that you need to apply basic layer power. Assignment: Scour your image libraries for images that you may want to work on throughout the course. I will review these images and select those I think will best suit the purpose of the class.
Lesson 2: Layer Management
Before you really become enamored with layers and the flexibility that they offer, you need to know their practical application - and then how to use them most effectively. Effectively managing layers and layer content will help keep your corrections on track, will allow you the flexibility to step back in corrections, and will also keep your images from bulking up to ridiculous size unnecessarily. Then we'll look briefly at layer types, such as type and adjustment layers. Assignment: Testing the process: layer creationg, grouping and combining features by doing an exercise described in this assignment. Review images the instructor has selected for use in this class!
Lesson 3: True Value of Layers: Object and Image Area Isolation
Layers enhance your freedom to correct image areas by isolating areas completely from the rest of the image. Once areas are isolated, you can make adjustments, and then fine-tune adjustments in ways that are impossible with simple selective change. We'll look at using layers to isolate image areas and objects using copy and paste, and applying a simple layered effect using layer styles and manual effects. We'll also look at blending layers using Opacity. Assignment: Choose one or more of your images that we've discussed and test out selective enhancements using layers in this lesson. You don't have to do everything from this lesson to every image, but you should make an attempt to try out everything.
Lesson 4: Masking: Enhanced Area Isolation
Even more advanced realms of isolating image areas exist in the form of masking. Masking is making adjustment to the visible image without actually removing image areas; areas are hidden in the image. We'll look at masking as it applies to layer transparency, layer clipping, Adjustment layers, and proper layer masks. Elements users will be provided custom-made Hidden Power tools to allow certain functionality. Assignment: Looking over the corrections lists you have created for your images, it is time to step back and look at how the techniques we have seen with layers can apply to your images and working with them in an orderly fashion.
Lesson 5: Exploring Layer Modes
Not all layer modes are really useful for every-day correction, but some are and they are very powerful tools. We'll look at ways that you can use layer modes every day for image enhancements and improvements. Making Calculations can also be explored. Assignment: Choose an image, test out enhancements discussed in the lesson for adjusting color separately from tone and applying manual sharpening. Submit a copy of the before and after results for the adjustments and a screen shot of the layers you made to achieve the effects.
Lesson 6: Advanced Blending Modes
Photoshop has several advanced blending modes that allow users to blend layers based on components/channels, qualities in the current layer, and qualities in layers below the current layer. This is mostly encompassed by Blend If and component targeting. Photoshop Elements does not have these features, but custom tools will be provided for Elements users so they can affect similar changes. Assignment: Choose an image, test out enhancements discussed in the lesson, and submit a copy of the adjustment (before and after) and a screen shot of the layers you made to achieve the effect.
Lesson 7: Breaking Out Into Components
We will look at ways to leverage the power of layers to separate out image areas by tone or color. These powerful methods of separating images into components can lead to a plethora of advantages in creating layer-based masks based on specific image qualities, and can open the door to a world of creativity in manipulating tone, color, shape and composition. Custom tools will be provided for users to create involved image scenarios. Assignment: Choose one of your images and go through the process of separating out color components and then re-color the image using filtering as described. Upload a screen shot of your final result showing the separated components and filter layer placement.
Lesson 8: Making a Layered Collage
This lesson will be an exercise in creativity and breaking out all the tools that you have encountered in the course to produce one final fun collage work. The emphasis will be on considering the idea of collage, and then how creative students can be in implementing changes and additions to their images using the power of layers. You can use images you have set aside for use in the class. Assignment: Create a collage using your own images and techniques that show your layers panache. Upload the images you used for the assignment along with the layers screenshot of the final result, and the result itself. Put the emphasis on fun!
Review: Voting on Best Work
![]() © Richard Lynch | ![]() © Richard Lynch |
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![]() © Richard Lynch | ![]() © Richard Lynch |
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