Whenever you shoot at night or in low light conditions, a tripod is essential. Obviously.
Berlin Dome framed by pillars
© Jim Zuckerman
All Rights Reserved
If you try to solve the problem of diminished light by raising the ISO, you'll be disappointed in the unattractive increase in digital noise. In the past when we all shot film, too much grain could be considered artistic. However, in the digital world too much noise just doesn't work.
I also use the mirror-lockup feature as well as the self-timer on the camera. By locking up the mirror, vibration is eliminated. Vibration can be introduced because the mirror flips out of the way to allow the light to hit the sensor and record an image. By using the self-timer, you eliminate the possibility of jarring the camera as you push the shutter. A cable release does the same thing as the self-timer, and if you have one of those, then by all means use it.
You should also not extend the center column of the tripod to making viewing easier (if you happen to be tall). This can introduce instability in the tripod, especially in cheaper models. Even if you have to bend down to look through the viewfinder, that's preferable to getting blurred pictures because your tripod wasn't as stable as it should be.
The accompanying photo of the Berlin Dome (the cathedral seen through the pillars) was taken from the porch of an adjacent museum. A red neon sign lit up the columns, and I thought the contrast was pretty dramatic.
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About Author / Instructor / Photographer, Jim Zuckerman
Few people are able to spend most of their time pursuing their passion in life. I'm one of them, and I feel blessed to have had a love affair with photography since I began taking pictures.
In 1970, I decided to abort my intended career as a doctor in favor of photography and have never regretted it. Photography has enriched my life more than I can tell you. My career has taken me to over 60 countries, and I've seen and photographed wondrous things.
I specialize in wildlife and nature, international travel, and digital effects. In addition, I also shoot nudes, photo- and electron microscopy, children, and other subjects that stimulate my visual or emotional sensibilities.
For 25 years, I shot a medium format camera, specifically the Mamiya RZ 67, for its superior quality. When I would lecture, I’d project the large, glass mounted transparencies, and it was really an incredible experience to see the brilliant color saturation and resolution of these slides. However, I went digital in 2004 because the technology finally equaled or surpassed medium format. I now shoot the Canon 1Ds Mark II digital camera with a variety of lenses.
I am the author of 12 books on photography. My work is sold in 30 countries around the world, and my images have appeared on scores of magazine and book covers, calendars, posters, national ads, trade ads, brochures, and corporate promotions.
For many years I've led photography tours to exotic places. These include Papua New Guinea, Thailand, Burma, Greece, The Czech Republic and Slovakia, Spain, Morocco, and Peru.