Three Top Digital Photography Tips from BetterPhoto Instructors

Helpful Hints from Jim Zuckerman, Brenda Tharp, and Susan and Neil Silverman

by Kerry Drager

© Jim Zuckerman
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by Jim Zuckerman
Extremes in contrast are a problem for both film and digital photography, but it is especially a problem when shooting digital. When the highlights and shadows are too extreme, the detail in both areas are in jeopardy of being lost. Even you try to "average" the exposure, a compromise between the light and dark areas, the shadows tend to go black and the highlights are washed out.

With digital photography, even a subtle difference in contrast can mean the complete loss in detail in the highlights. A light area on the bridge of the nose, for example, that would show detail in a negative can easily be blown out on a chip.

Therefore, try your best to avoid contrasty situations. Patchy lighting is a classic example of what to avoid, but I've seen portraits done on overcast days (it was a bright overcast) that show a loss of detail in skin tone because the contrast was just a little too much for digital cameras to handle. Note: Jim Zuckerman teaches many more digital photography tips in several BetterPhoto courses: Mastering Light; Making Money with Your Photography; Eight Steps to More Dramatic Photography; Creative Techniques in Photoshop; Fundamentals of Photography, and many more.
Jim Zuckerman's Photo Gallery

Blue Robes, New Mexico
Blue Robes, New Mexico
© Brenda Tharp
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by Brenda Tharp
If you have problems with the flash on your compact digital camera being too strong, here's a solution. First, if you can program your flash to output less (by setting it to -1, or -2, etc.) do that. But if you find that it's still putting out too much light, hold your index finger partly over the flash head when it makes the picture.

It would seem illogical, but flash output is so powerful that this actually does the trick. Not only has this been very successful in knocking down the light output for me, it has also warmed up the light of the flash. The light of the flash going through your finger will be softer, more subdued, and much warmer.

Note: Brenda Tharp teaches BetterPhoto interactive courses online at BetterPhoto, including: Creating Visual Impact; Beyond the Postcard; and Mastering Macro Photography.
Brenda Tharp's Photo Gallery

[Editor's Note: if you're already feeling hungry for more digital photography tips, click here.

Mesa Arch
Mesa Arch
© Susan and Neil Silverman
All Rights Reserved


by Susan and Neil Silverman
It's easy to change white balance, ISO, etc., in your camera settings, all within the same photography session. But it's not always so easy to remember to change those settings back - especially while in the heat of the excitement! We take care of this problem with a piece of colored gaffer tape, which we move into an area that can be seen easily as a reminder that we have made a change to the original settings.

This is critically important when using exposure compensation. After returning your setting(s) back to normal, then we place the tape in a spot where it does not get much attention. This tape can be reused in this manner many times and will still adhere well and does not leave any residue.

Neil and Susan Silverman's Photo Gallery

Want More Digital Photography Tips?

Kerry Drager, Jim Miotke, the Silvermans, Brenda Tharp, Jim Zuckerman and the other 25+ professional photography instructors have authored numerous other digital photography tips. For more, try our beginning photography tips, digital photography articles, or explore the digital photography classes we offer here at BP.

Article by Kerry Drager. To learn more about photography, explore the many online photography and Photoshop classes offered here at